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Yearly Archives: 2011

A little more hip-hop with Snake Eyes

Inside the Box | by Audrey

Jay-Z, Eminem, Lil’ Wayne, 50 Cent, Nikki muthafuckin’ Minaj, Kanye West, Andre from Outcast…

From a distance, one could hear this music and think it sounds like a bunch of conceited, self-involved, sexually deviant, disrespectful, entitled artists rapping only about how amazing they are.

But listen again — and again — and you’ll hear something invaluable: The art of “Fuck You”.

Think about it. There’s no apology for where anyone came from or what anyone’s past is. Even more, the injuries of the past are what strengthen the person in the present. There’s an ownership of taking what others may say is “wrong” and redefining it as a personal “right.” There is a pride to the scars that are carried and a level of indulgence that is acceptable because it has been earned. But most importantly, there is an underlying attitude of, “You don’t like me? Fuck you. Watch me.”

Then you see these artists in interviews or read about their thoughts or political beliefs and they are so fucking smart and coherent. It almost seems (except in some instances with a drunk Kanye) that these people are fairly decent people and maybe even kind.

But when it comes to their work, their passion, there is a RENEGADE ENERGY that emerges. A primal, animalistic, unapologetic, survival-of-the-fittest mentality that is unleashed. There is an entirely different level of honesty, bravery, and GRIT in the work.

I know that there is a time and a place for this kind of energy. I know that this is not acceptable behavior in the majority of situations. But I promise myself, that my work will always receive the piece of me that most people never see.

Inside the Box with Tate Geborkoff

Inside the Box | by Tate

I had a completely different post I was going to share, but something bigger happened to me over the weekend. And if my training at Black Box has taught me anything, it is that you have to be able to let go of what you had before and honor the biggest thing in the moment.

Well, over the weekend I got a little too close to death.

What you need to know before jumping in is that I suffer from a terrible food allergy and the restaurant I ate at was pretty careless with that information and put me in a situation where I had to be rushed to the hospital because I couldn’t breathe.

I’m not interested in telling you the gruesome details of anaphylaxis. What I’m interested in telling you is how an acting class suddenly became important to me in a stark moment.

One of my best friends helped me to the hospital, which we were fairly close to, and in the cab I became keenly aware of two major Black Box techniques — his emotional behavior and my active choices.

On the ride over, which seemed to move in slow motion, I was obviously panicked and I couldn’t calm myself down, so I focused on him and what he was doing in order to take pressure off me. He, of course, was scared, nervous and empathetic in those moments and it allowed me to really feel the fear in a way that was overwhelming, but strangely comforting. I had someone there and it was okay to feel afraid. What was most astonishing to me, however, were two unexpected emotions — frustration and anger.

His frustration was due to the choices I was making. I knew we could make it to the hospital without having to resort to using my epipen, which is very terrifying prospect. I made the active choice in the moment to have it ready, but not use it. He did not like that. His frustration made me so sad, scared and guilty — it was the rawest emotion I’d felt in a long time. Then he was angry with the non-responsive cab driver who didn’t acknowledge the severity of the situation. His anger completely changed the situation and turned my focus to the new biggest thing in the “room”.

It’s a funny thing how the technique can live in you and help navigate you through any situation.

In the end, I made a complete recovery and I got to feel the most powerful, honest emotions without shutting them down or judging them and for that I’m thankful.

PS- Keep on breathing, baby.

Steve Pickering in ST. NICHOLAS by Conor McPherson

Student Shows | by Black Box Acting

BLACK BOXERS…
Steve Pickering is a huge supporter of Black Box Acting Studio. Black Box students get a big DISCOUNT to see this amazing show. The key word is “Black Box.” Be prepared to “repeat” in the hallway to prove you are worthy.

An acerbic Dublin theatre critic falls prey to a cabal of vampires in ST. NICHOLAS: Conor McPherson’s macabre 1997 tale of one soul’s self-inflicted thirst.

An sep production benefitting Seanachai Theatre and Shanghai Low Theatricals, ST. NICHOLAS will be staged by Matthew Miller (Steppenwolf’s OBLIVION, Seanachai’s Jeff-Nominated production of McPherson’s THE WEIR), produced and performed by Chicago veteran actor Steve Pickering (Goodman’s ASK AUNT SUSAN: the latest of over 30 for the theatre since 1987), marking the pair’s second collaboration following Miller’s world premiere production of Josh Rollins’ A GIRL WITH SUN IN HER EYES for Pine Box Theater, Summer 2011.

The production team features lighting by Chicago Opera Theatre’s Julian Pike, and sound by 6-time Jeff Award-winner Victoria Deiorio. Dublin native Deirdre Hayes serves as Dramaturg and Assistant Director, and Jeri Frederickson is the production’s stage manager.

The limited run of 15 performances will be presented at The Irish American Heritage Center, December 1st thru the 18th 2011 AD. All information regarding tickets, etc. may be had by visiting www.seanachai.org

Our Prime Sponsors for ST. NICHOLAS – all Chicago-based businesses and firms – are:

BLACK BOX ACTING STUDIO, DOLAN LAW, P.C., THE PAULINA MARKET and PFAFF & GILL, LTD.

With their support as encouragement, our ST. NICHOLAS Razoo campaign is focused squarely on people: providing the artists involved in creating our productions with a fair and equitable wage for their time and talent.

Speaking for them, we appreciate your kindness and generosity.


WHEN
Opening Dec 1
Running through Dec 18
Thursdays, Fridays & Sundays at 8:00pm
Saturdays at 5:00pm & 8:00pm


WHERE
The Irish American Heritage Center
4626 N Knox Ave.


TO RESERVE
Tickets $20
Black Box student discount!!! Key Word: Black Box. Duh!

Inside the Box with the Velvet Hammer

Inside the Box | by Laura

Why I Am Jealous of a 1 ½ Year Old.
By the Velvet Hammer

I realized today that I’m jealous of my 18-month old. No, it’s not because of her perfect skin. Or her ability to sleep whenever she wants. Or even her freakishly muscle-y little biceps and triceps. I’m jealous of my 18-month old daughters’ ability to feel every emotion to her very core.

If only she could read, she’d be the most talented actor I know.

She experiences every emotion with the gas peddle all the way to the floor. She lives every moment at 100%. And she feels no need to apologize for her feelings, even after she looks at you with disgust or anger.

Watching her experience and process her own emotions leaves me awestruck.

Sometimes it’s just the simple things. Like this morning when she saw me with rollers in my hair for the first time. Her eyebrows lifted to her hairline and her little mouth turned into a perfect “o” shape. PURE SURPRISE.

Or like a few hours ago when she met Santa Claus for the very first time. Her brow knit together and her mouth stretched wide, showing all 5 of her little teeth. PURE FEAR.

Or like last night when we went to see our friend sing in the Wicker Park Chorus. This was my daughter’s first “theatrical” experience. (I thought we’d be safe to test out the back row; in case of an incident, we could easily slip out.)

After the first song, which was beautiful, there was a strangely long pause before the applause began. After the second song, the same long pause started to happen. Till my daughter yelled “YAAAAAAAAAAAAAAAAAAAAY!!!!!!!!!!!” at the top of her lungs and started clapping her hands wildly.

This unabashed reaction created quite the commotion amongst the polite and quiet crowd. As I sat there dumbfounded, embarrassed, and worried, everyone else turned to her, clapping and laughing. It was almost as if her freedom to express her deepest thoughts in that moment reminded people that it’s exciting to fully express joy and happiness. Her joy shifted the entire energy of the room!

As an adult, when was the last time you let a room full of strangers know how happy you were about something?

On the flip side of this, she also feels the “bad” stuff at 100%. Like the time she BURST into tears, with no warning, because she saw me crying for the first time. She immediately reacted, huge tears rolling down her face. She then reached out to rub my arm, something she had clearly learned from me, as a way to comfort her when she’s sad. Her ability to empathize with me in that moment was astounding. And of course, this emotional exchange made me cry more (out of amazement and love) but my crying made HER cry harder and louder (out of fear and sadness). So we were just a big ol’ mess, but I’ve gotta say, it was worth it.

I know, intellectually, that it’s impossible for an adult to walk around like a big open wound all the time, feeling everything at a level ten. I mean, if I went around yelling my inner most thoughts, or comforting people that look sad all the time, they’d definitely throw me in the loony bin.

But at least for a few moments onstage, or in class, we get to work toward that place of complete freedom. That place where we are allowed, and praised, to feel everything and anything, without apology.

So right now in this moment, as I’m writing this, I no longer feel jealous.

I feel relief. And excitement. I’m thankful to get to go onstage and feel everything to the fullest, even if it’s just for a few moments, or hours a day.

And I’m thankful that I can leave this “hot mess” of a person onstage, walk off, and live my daily life like a normal human being.

And I’ll try my hardest to teach my daughter how to do that too, when the time comes.

Eric Paskey in Listening Series: FAMILY VOICES

Student Shows | by Black Box Acting

BLACK BOXERS…
Eric Paskey as The Son


WHEN
Opening December 5th
Running through December 5th
One night left! December 5th at 7:30pm (doors open at 6:30pm)


WHERE
Chopin Theatre
1543 W. Division


TO RESERVE
Free! Reserve your spot by emailing reservations@backstagetheatrecompany.org


MORE INFORMATION
Our first Listening Series will be “Family Voices,” a radio play by Harold Pinter. Originally broadcast on BBC Radio in 1981, Family Voices tells the story of a family that speaks – but never listens – to one another. For BackStage’s presentation of this new classic, resident designer Heath Hays will create a live soundscape for each performance, giving our audiences a unique, organic entertainment experience that will be created from moment to moment.
At the end of the evening, the Chopin Theatre will present a 10 minute concert of the music of Frederic Chopin to send you back into the night.
Directed by Associate Artistic Director Jen Poulin
Featuring BSTC Ensemble members Rebekah Ward-Hays, Eric Paskey, Michael Pacas, and Heath Hays.

Eric Paskey in THE ROMANCE NOVELIST – First Reading

Student Shows | by Black Box Acting

BLACK BOXERS…
Eric Paskey as Grant (lead)


WHEN
Opening December 4th, 2011
Running through December 4th, 2011
one night only, December 4th at 7:00pm (doors open at 6:30pm)


WHERE
Prop Theatre
3502 N. Elston


TO RESERVE
Free! Just show up!


MORE INFORMATION
This is a first reading of a Rom-Com screenplay called “The Romance Novelist,” written by John Sundholm. Lots of wonderfully talented actors are reading in this one. It’s super-funny and touching, there will be drinks and snacks, and it’s free!

A million Black Boxers in FALLING APART

Student Shows | by Black Box Acting

BLACK BOXERS…
Audrey Francis – Director
Melissa Riemer – as Ma’am
Kevin Mullaney – as Mister
Elizabeth Murphy – as Kristen
Conor Woods – as John


WHEN
Opening Monday, December 5th
Running through Monday, December 5th
ONE NIGHT ONLY!!!

Monday, December 5th
Show starts at 8pm
Doors open at 6:30pm


WHERE
WildClaw Theatre’s 2011 DEATHSCRIBE
Mayne Stage, 1328 W. Morse Ave., Chicago, IL


TO RESERVE
For tickets:

http://www.maynestage.com/Wildclaw-Theatre-presents-Deathscribe-2011.aspx

Or go to the WildClaw Website

Stay tuned for a special Black Box Discount code. :)


MORE INFORMATION

Justina Kairyte in THEATRE OF WOMEN VI

Student Shows | by Black Box Acting

BLACK BOXERS…
Justina Kairyte cast as 1 of 20 women performing in Dream Theatre’s 24hr production: Theatre of Women VI.


WHEN
Opening Saturday November 19, 2011
Running through Saturday November 19, 2011
A 24hr theatre event! Two shows on Saturday November 19th at 8pm & 10pm.


WHERE
Dream Theatre Company
556 West 18th Street


TO RESERVE
$15-$25, online ticket purchasing recommended!


MORE INFORMATION
To purchase tickets/read more about this exciting event visit :http://www.brownpapertickets.com/event/210332

Bryn Packard in DOUBT

Student Shows | by Black Box Acting

BLACK BOXERS…
Bryn Packard as Father Brendan Flynn


WHEN
Opening December 2
Running through December 11
Dec 2, 3, 8, 9, 10 at 7:30pm
Dec 4, 11 at 2pm


WHERE
Triton College
Cox Auditorium Fine Arts Building Room J-108, 2000 Fifth Ave., River Grove, IL 60171


TO RESERVE
$10 students, faculty/staff and seniors $12 general admission
For more information, call the Theatre Information Line at (708) 456-0300, Ext. 6932.


MORE INFORMATION
www.triton.edu/entertainment

Tiffany Topol in LEGALLY BLONDE: THE MUSICAL

Student Shows | by Black Box Acting

BLACK BOXERS…
Tiffany Topol – Margot


WHEN
Opening January 18th, 2012
Running through April 1st, 2012
Wednesdays at 1:00 and 8:00
Thursdays and Fridays at 8:00
Saturdays at 4:30 and 8:00
Sundays at 1:00 and 5:00


WHERE
The Marriott Theater
10 Marriott Dr. Lincolnshire, IL


TO RESERVE
Visit http://marriottheatre.com for tickets!