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Yearly Archives: 2012

Phillip Lambert in CABARET

Student Shows | by Black Box Acting

BLACK BOXERS…
Directed by Steve Greist
Henry Behel as Ernst Ludwig
Phillip Lambert as Bobby
Julia Beck as Texas


WHEN
Opening May 17, 2012
Running through May 26, 2012
Thursdays-Saturdays at 8pm


WHERE
Observatory Studios
3036 N. Lincoln #4


TO RESERVE
Tickets can be reserved by emailing fourplaytheater@gmail.com.

$5-$10 Suggested Donation


MORE INFORMATION

Inside the Box and Into the Tornado with Audrey Francis

Inside the Box | by Audrey

I’m probably going to read this someday and regret writing it.
Any “legitimate artist” will most likely disagree with my perspective.
I’m aware this sounds crazy, but I gotta throw it out there.

Has anyone ever wondered if our instincts on stage might be completely ass backward?

One of the quintessential lessons I’ve both learned and taught is to “follow your instinct.” In theory, I get this. 100%. If you want to do something on stage, do it. If you feel like kissing the girl, kiss her. If you feel like walking out, walk out. If you feel like letting go, let go. That part I get. I love that, I believe in it, I strive for it.

The problem is, is that I’m wondering what the fuck it is that we’ve been trained to want to do.

Almost all of my instincts in life are survival instincts. I’ve been trained to protect myself, to be careful with who I trust and selective with who give myself to. I’m assuming these instincts are fairly normal, right?

The problem is, that shit doesn’t disappear when I get on stage. My instinct is still to preserve myself. To survive. If something doesn’t feel safe, beneficial or doesn’t feel like I have control over it, my instinct is to get the fuck out. My instinct is that when I see a tornado, I go underground in the storm shelter with Auntie Em and wish the farm animals the best of luck.

I’m realizing these instincts translate on stage to: Not letting myself trust another human being, not allowing myself to feel hurt, stupid, embarrassed, turned on, rejected or genuinely happy. My instinct is to protect myself. Even with eye contact. The minute shit starts to get real on stage, my body has been trained to look away, do a dramatic cross and then laugh off the awkwardness.

I don’t like these instincts. I’m wondering if we’ve fooled ourselves into thinking that survival instincts actually serve us on stage.

We talk a lot at Black Box about jumping out of an airplane. When you stand on the edge of of an airplane, you have two choices: 1) Jump out, or 2) Tell the stranger strapped to your back that you are not down with this and to get the fuck back in the plane.

Both of these options are incredibly difficult. The first option goes against every natural instinct I have. I’m choosing to plummet 13,000 feet with the faith that the equipment I’ve never used and the man whose family I’ve never met don’t fuck up. The second option also goes against every instinct I have. It means being excruciatingly honest with what I actually want, what my true feelings are and owning myself and my limits with no ego.

Both of these terrify to me. But what terrifies me the most, is if I had followed my initial survival instinct and never got on the plane to begin with.

Maybe the next audition, rehearsal, shoot or whatever we go on, maybe we should be a little more reckless with ourselves. Maybe we should double check that our instincts have not clouded our courage. Maybe one day we should go against everything we know to be “right” so we can define our own version of survival.

Lean into the tornado, jump out of the airplane, release the ego, kiss the fucking girl. Maybe the next time we step on stage we should fuck our survival instincts and live like it’s our last day.

Headshots For All Black Boxers!

Student Announcements | by Black Box Acting

Hi Black Box Family,

Just wanted to pass along some information about headshots. One of our instructors, Ian McLaren, is also a dynamite photographer who specializes in headshots and he is running a special deal for our students.

He’s booking up fast, so get in touch as soon as you can.

All the details can be found below.
blackboxpromo

You can contact him at (312) 985-6048, at info@ianmclarenphotography.com, or on twitter.

Kientre Gill in SUGAR FOR COFFEE

Student Shows | by Black Box Acting

BLACK BOXERS…
Kientre Gill as Danyell


WHEN
Opening Saturday, June 9th 2012
Running through Saturday, June 23rd 2012
Saturdays at 5:30 pm


WHERE
Gorilla Tango Theatre
1919 N. Milwaukee Ave.


TO RESERVE
$15.00 per ticket. To purchase tickets call (773) 598-4549 or visit www.gorillatango.com


MORE INFORMATION

Matt Rockwood in STATE STREET

Student Shows | by Black Box Acting

BLACK BOXERS…
Matt Rockwood as “Wilber Storey” and “Big Mike”


WHEN
Opening May 29, 2012
Running through June 24, 2012
Thursday-Saturdays @8:00pm
Sundays @ 3:00pm


WHERE
City Lit
1020 West Bryn Mawr Avenue Chicago IL 60660


TO RESERVE
$22-30
www.citylit.org


MORE INFORMATION
Written by Kingsley Day and Philip LaZebnik, the original musical “State Street” makes it’s debut at City Lit.
Directed by Sheldon Patinkin.

Landree Fleming in DAY DRINKING AND SLEEP EATING

Student Shows | by Black Box Acting

BLACK BOXERS…
Jill Valentine Directing and Landree Fleming as Maddie Sci.


WHEN
Opening April 26th, 2012
Running through May 31st, 2012
Thursdays at 8 PM


WHERE
Stage 773
1225 W Belmont Ave, Chicago IL, 60657


TO RESERVE
$18 online at www.stage773.com

Eliza Hofman in REVELS, DUDE! A LEBOWSKI/SHAKESPEARE MASH UP

Student Shows | by Black Box Acting

BLACK BOXERS…
Eliza Hofman as Maude


WHEN
Opening June 3rd, 2012
Running through June 3rd, 2012
One time only! June 3rd at 6:30pm! Two Pence Theatre Company Gala Experience!


WHERE
Lincoln Square Lanes
4874 N. Lincoln Ave


TO RESERVE

http://www.brownpapertickets.com/event/243945


MORE INFORMATION

Save the Penguins – Inside the Box with Laura

Inside the Box | by Laura

My heart is leaping out of my chest! Pure joy and extreme fear are warring an epic battle in my heart! Tears stream down my face as I erupt into giggles. My hands clench the steering wheel a little tighter, as I try to regain control of these overwhelming emotions. I’m driving with the windows down and my music blaring, old school. Singing. Then laughing. Then crying. I look totally crazy. It’s awesome.

I am driving home after my first rehearsal in three years. This break has clearly been good for my soul.

I feel alive.

When I used to hear about actors taking a break from the business, it seemed somehow, disloyal to me. Sad. Like if you take a break, you must not really, really love acting. My hunger to “tread the boards” was all consuming to me then. It was all I wanted to do, to an almost crippling degree.

What I realize now, is that there are those moments in life when your joy for acting IS tested by the reality of doing it. Whether it’s a series of rejection letters, a terrible review, or a life changing event, sometimes acknowledging that you need to step away from the industry, is a good thing. It can be healthy. It can be fulfilling on a whole other level and can make you come back ready to work, with a rejuvenated attitude. Like an actor’s spa retreat.

What I understand now, is that the industry will always be there. If you need to regroup for a bit, do it. There is nothing wrong with it.

Occasionally an actor will say to me “I don’t know what’s important to me. Nothing but my career is important to me.” The obvious issue with that is – If you don’t know what’s important to you as a living, breathing human, in your real life, than how do you expect to bring yourself to the stage?

Knowing what’s important to you, what makes you tick, what makes you livid, and the things that would make you live and die and fight and love and hate, those are the things to bring to the stage. And you must live life to know what those things are.

Listen to your body and your soul. If you need to take a break for a month, or a year, go live your life. Don’t skip your sister’s wedding or turn down an opportunity to save baby penguins in Antarctica. Please go. You will be a more fulfilled and interesting person. You will be a better actor for it.

Suteki Da Ne – Inside the Box

Inside the Box | by Tate

“Suteki Da Ne” means “Isn’t It Wonderful?”

Life as an artist isn’t often wonderful. In fact, the wonder is often overshadowed by the rejection, disappointment, judgment and resentment. The incredible amount of blood, sweat and tears that we pour into our art often goes unnoticed and if it is noticed, so often it is regarded as unimportant.

In April alone I received four rejection letters and lost a literary prize, and as each came in (or rather didn’t), this terrible weight and dread spread across my life and I allowed myself to entertain thoughts that I’d never ever allowed myself to think — “What if I don’t make it?”

What if I don’t make it? What if the only thing I am prepared to do with my life doesn’t happen?

Pretty much death. However…

Meryl Streep once said, “my feeling about fears is, if you voice your fears, they may come true. I’m superstitious enough to believe that.”

And she’s right, as an artist you have so much against you already, with so few people on your side, why would you throw away your biggest ally? By allowing that fear to creep in and then acknowledging it you have handed control of your life to something that isn’t real. The fear may be real, but it doesn’t exist until you allow it to.

So what did I do? Took my rejection and my loss and I allowed myself to feel disappointed, sad and cry, because that what was honest, and as that moment passed I reexamined my work and I found that I was happy with the work that I put forth and then I submitted elsewhere.

As an artist you have to take it in and realize that just because you were rejected or lost an award doesn’t mean that you aren’t good, it just means that it wasn’t right, and all you can do is reflect and push forward.

And in the end, I know that my work, my work ethic and my life as an artist are all pretty suteki.

Christopher Walsh in THE DUCHESS OF MALFI

Student Shows | by Black Box Acting

BLACK BOXERS…
Christopher M. Walsh as The Cardinal


WHEN
Opening April 22
Running through May 26
Thursdays -Saturdays at 8pm, Sundays at 4pm


WHERE
Strawdog Theatre
3829 N Broadway, Chicago, IL


TO RESERVE
Tickets are $28; order online at strawdog.org


MORE INFORMATION
Industry night Thursday, 4/26